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Selected press reviews and critical responses to Erika Rombaldoni’s work across opera, live music and performance
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“A choreography that turns silence into presence — bodies seem to emerge from the Gothic architecture of the abbey as if they had always been there.”
— Corriere della Sera, Il Nome della Rosa, Teatro alla Scala
(translation from Italian)
“Erika Rombaldoni turns dancers into storytellers: bodies become living memory, political gesture, embodied narrative. Every movement is infused with visual imagination and emotional intensity.”
— Il Messaggero
(translation from Italian)
“One of the most successful performances of Monaco’s National Day celebrations: the dancers’ bodies become the language through which Joséphine Baker returns to the present.”
— Monaco-Matin, Bonsoir Monte-Carlo